Did the Popular Culture of the 1960 Do More Harm Than Good? Essay

The 1960s reflects a huge change in sights animateds, where childlike people started to rebel against the traditional norm, therefore starting the counterculture and mixer revolution. Not all of these were good and sensible however in my opinion, these changes were insepar able-bodied to the development of technology, personal manner and lifestyle, and they more(prenominal) than just made up for the malign ca employ.Arguably one of the close signifi pratt changes was the fact that those from the newer genesis started to gain money, and status. Source A states, Todays juvenility has money, and teenagers lay down become a power. In their struggle to impose their wills upon an adult cognition base, young men and women down always been b littleed with energy, but never, until now, with wealth. After handing unsounded a pound or two, they are left with more disbursement money than most of their elders, crushed by adult obligations. Never ahead had the youth been blessed with wealth in US this may have been the result of its longest uninterrupted economical expanding upon in history. The youth were a hearty group whose tastes are studied with respect specially by the entertainment industry because they contractt in no time that young people were willing to spend their money as long as they were sold what they wanted.All television programmes and films were previously aimed at young children and old people. The film industry faced a turn in their received style as they realised the significance of the younger gen epochtion to the expansion of their success. This decade is said to be the end of the Hollywood Studio system, and the era of independent, Underground Cinema. Genres such as medicamentals, historical drama, psychological horror, comedy and science fiction became the new trend. There were different major sub-genres which were at its peak during this decade withal, for example spy films were especially general, and it is said that this was because of the cabal of the audiences fear of the Vietnam War, and their desire to see exciting and suspensive films. The 1960s had brought another huge change in music as well. Although the specific date of the break between the 50s music and the 60s music is unclear, it is generally said to be to begin with theBritish invasion and after the British invasion of American music. By the British invasion we are referring to the numerous British artists and groups of admirers and emulators of American joust n roll, whose fame and popity abruptly outgrowthd in the US during the primeval 1960s. The most well-known and influential would probably be The Beatles, who had a huge allude not only on the 1960s music but as well as on the 1960s elbow room. They were hugely appreciated by the tribe, and we can prove this through source B, part of a description of a certain day in 1964, written by actress Joanna Lumley in her account on a hot summers evening, instead of the ru sh hour an extraordinary silence and emptiness had descended upon London, on England, on Britain No one was to be seen by the flower-stall, the newspaper standThe nation held its breath because that evening the quaternity Beatles, all the Fab Four, were coming into court live on Juke Box Jury. From the way the actress depicts her trip to her aunties flat from the tube station, we can confirm how intrigued e actuallyone was by the Beatles enough to a reverberateon their work and hold their breath just because they were appearing live on a television show. This source is supported figuratively by fact that on its release in August 1963, the bands fourth single, She Loves You, procured the fastest sales of any record in the UK up to that time, selling three-quarters of a million copies in under four weeks (according to Wikipedia). They were typically regarded as being cool, hip, smart, lippy, charming and funny, and some(prenominal) people idea It was very heaven to be alert to be able to watch them. Source C informs us of how the attitude of the Beatles fans in the 1960s were different to todays who are a little more reserved, although he explains that the supporters were never as crazy as they utilize to say it was anyway. capital of Minnesota McCartney, stated that If youd see a mickle of kids coming towards you, you could s go by them. Theyd only want your autograph and you could reproof, and he was so sure of this because the thing about fans was I used to do the same thing myself. I felt like I understood what they were on about.The sources B and C support all(prenominal) other because the bunch of kids mentioned in source C could easily hold Joanna Lumley, who is recalling her youth in source B, describing that it was very heaven to be alive. She is recollecting the memory of seeing the usual rush hour London deserted, andPaul McCartney says that Thered be a lot of screaming, which twain portrays that of the excitement of the audience.Not only did their songs influence the rest of the singers that followed, it even reached into the elbow room world. People imitated their Beatle pigcut (also known as the mop-top because of its resemblance to a mop), causing well-nigh toy manufacturers to begin producing Beatle wigs. It is said that in the Brezhnev-dominated Soviet Union, mimicking The Beatles hairstyle was seen as an extremely rebellious act. Young people were called hairies by their elders, and were arrested and forced to have their hair cut in police stations. The Beatles would wear Edwardian collarless suits, once in a while in black but later in grey, adopted from the modern youth cult which was at its peak in the UK at that time. or so very famous artists and groups include Elvis Presley, The Supremes, The Rolling Stones, The Beach Boys, bobfloat Dylan, Aretha Franklin, Sam Cooke, The Jimi Hendrix Experience, Ray Charles, Otis Redding, James Brown, The Temptations, Janis Joplin and The Who. Two very popular fa shion items introduced to the Swinging London in the 1960s include bloody shame Quants mini-skirt and Jackie Kennedys pillbox hat. Womens false eyelashes and their varied collection of their hair were a prominent trend throughout the decade. The two most famous super models then were Twiggy and Jean Shrimpton, both very thin. 91-pound Twiggy was the iconic figure of the fashion industry, her name originating from her waif and twig-like appearance. Although it was the fashion industry, pop culture and magazines that actually promoted the drive for thin figure, people sometimes blame her for causing making women self-conscious about their bodies, striving to achieve bodies as thin and stream-lined as hers, sometimes going over the top to do so. The biggest problem concerning models at that time, however, was that of sexual exploitation. It may be thought of as rare for models to have sex with their clients, but according to fashion models who had spoken out about the problem, it actu ally was a daily occurrence. The hippie Movement began as a youth movement in the early 1960s, escalating later on to a larger-scale, more formal sub-culture as it opening to other countries across the world. Hippie is said to be originally derived from the account book hip, which comes the Black culture and denotes awareness. Being a flower child meant questioning authority and itspower, desire for peace and the rejecting of middle-class materialism and the livelong military-industrial complex in favour of a more spiritual, more environmentally conscious approach. They played a very important role in the Vietnam War, for they voiced their anti-war sentiments, protesting both violently and non-violently in order to change the worlds view on certain things, including war civil rights. The increase of rather accepting people also meant that racism was getting less severe.Despite all these wonderful changes, some people werent too happy about the popular culture in the 1960s. Mary Whitehouse, a British campaigner against the permissive society and the founder of the Women of Britain Clean Up TV Campaign, was one whose motivation was strongly derived from her traditional Christian beliefs. Source D shows part of an article in the Daily Mail, 1964, where she states that Authors who let loose out strongly for the established Christian faith and write plays which juice up a sense of purpose and hope find it extraordinarily challenging to get their work accepted, explaining further that this became necessary because of the built-in censorship which the BBC exerts against much which is good and clean in our national culture. In reality, she is implying how the BBC is barricading the majority of what is good and clean in the Britain culture, discretely pointing out the changes that has started to occur in the decade which revolves around the theme popular culture.Her opposition to the popular culture in the 1960s is also supported by other issues that started to emerge typically at this time concerning fashion, music and culture these score from minor ones such as the spread of Beatlemania, known as the social disease with no cure, to extreme diet and anorexia and sexual exploitation.With this knowledge however, I personally think that there have been enough unconditional changes to make up for all the negative outcomes. Bearing in approximation the fact that the youth had rapidly started losing their respect towards the elderly, and how the youth-dominated culture had resulted in many bad catastrophes, I believe that this decade of popular culture had wedded youth opportunities that would never have been available to them before, hadeffectively taught us to learn from our mistakes and improve our lives thereafter, and have consequently done more good than harm.